The central idea of the staging is promising enough and operates consistently across different levels of the production, even if it feels a bit deflected by the aforementioned priorities. Jones brings a considerable break with the past in his approach, pointing the way towards thought-provoking possibilities for the work, though it is a clearly a show that defers to the need for regular revival and breadth of appeal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist. 10, 2020.Īlongside with Richard Eyre’s classic production of “La Traviata,” Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal, and will therefore be making 16 appearances this year, with myriad casts and three conductors. This review is for the performance on Jan.
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